I guess I could play around with stabilization in DAR but my guess is it would reduce the resolution.Īnd I'm assuming there would be no stabilization in LRTimeLapse? The one I made from DAR is much more noticeably shaky.
So you see some shaking on the hyper lapse video out of the drone but it looks like they applied some stabilization, along with the 16:9 crop. This one particular video I'm attempting was captured on a very windy day. Major differences though, the one from the drone is 16:9 and the one in DAR is 4:3 since I didn't want to crop out any of the detailed terrain. I edited them in LR to make it brighter, with more color saturation than the hyper lapse video which came out of the drone, which still looks good but the one I made at 4K24 in DAR is brighter and sharper. So I had to export as JPGs and they're still ike 21 MB each.ĭAR can't preview them at all, guess too much data in each of the files, even if they're JPG. OK, I just tried doing it in DaVinci Resolve, following that video posted above.įirst of all, it will import DNGs but it won't show any of the post-processing changes to it. All you need to keep is a) the source RAW files and b) the XMP settings. In addition to being able to delete large intermediate TIFF files, you can also delete the raw intermediate videos that you render from them. Then, when you produce a final version, it will be made from the highest fidelity sources right up to the end. If you are producing videos that are themselves intermediate - meaning that you will use them as clips in a video editor to create one larger video that contains several smaller time-lapse sequences - then it's a good idea to keep the keep all of your work files as high as quality as possible.quality, so even if you work from 16-bit TIFF files, you can reduce the size / quality of the rendered video. In the LRT Render Video dialog box, you have a lot of options you can work with to adjust size vs.